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JORDAENS, Jacob

      Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen).

JORDAENS, Jacob The Satyr and the Peasant painting


    Der Satyr und der Bauer
   new4/JORDAENS, Jacob-746475.jpg
Gemälde IDENTIFIZIERUNG::  32368
  1620er Jahren Ölen auf Leinwand
   
   
   

Jacob Jordaens

      Flemish Baroque Era Painter, 1593-1678

Jacob Jordaens The Satyr and the Peasant painting


    The Satyr and the Peasant
   new21/Jacob Jordaens-584668.jpg
Gemälde IDENTIFIZIERUNG::  59444
  The Satyr and the Peasant"
   
   
   

Jacob Jordaens

      Flemish Baroque Era Painter, 1593-1678

Jacob Jordaens The Satyr and the Peasant painting


    The Satyr and the Peasant
   new22/Jacob Jordaens-758853.jpg
Gemälde IDENTIFIZIERUNG::  66510
  Oil on canvas 188,5 ?? 168 cm 1620
   
   
   

Jacob Jordaens

      Flemish Baroque Era Painter, 1593-1678

Jacob Jordaens The Satyr and the Peasant painting


    The Satyr and the Peasant
   new23/Jacob Jordaens-537539.jpg
Gemälde IDENTIFIZIERUNG::  71783
  1620(1620) Oil on canvas 188,5 x 168 cm
   
   
   

Gaspare Diziani

      (1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).

Gaspare Diziani The Satyr and the Peasant painting


    The Satyr and the Peasant
   new26/Gaspare Diziani-553833.jpg
Gemälde IDENTIFIZIERUNG::  98438
  First half of the 18th Century
   
   
   

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